|
 |
 |
|
MARA MAYOR
  I was born in New York City in 1940, the oldest of three children and the only girl. Despite the very traditional roles then ascribed to women, I grew up with parents who believed I could accomplish anything I set my heart and head to do.
I went to Brandeis for my BA. In the first year we were required to take introductory courses in history, literature, music, and science, and I was intrigued and confused by the possibilities. I talked to my advisor, Eugene Black, who gave me advice that I have offered in turn to many of my own students. Go through the catalog and put a check next to every course you think you would enjoy. Then count the checks, and major in that field. I did, switched to a history major, and have been hooked ever since.
I decided that I wanted to become a history professor, which meant I needed a doctorate. As always, my parents were entirely supportive although this was not a typical path then for a young woman. I went to Yale, earning an MA in History and a Ph.D. in American Studies.
In my first year of graduate school I met Bruce Mayor, who was in his last year at the law school. We met and married in eight weeks. We knew it was right and, as always, my parents were behind us. (His parents were somewhat skeptical, but in time they came around!)
I still remember being called into the office of the head of the history department that spring. He needed to decide whether my fellowship should be renewed for the next year. "Are you pregnant?" he asked. It was 1963, women's liberation was barely a concept, but I remember saying to him — "you know, even my mother didn't ask me that." The fellowship was renewed.
I received the Ph.D. in 1969; meanwhile in 1967 I joined the faculty of the University of Connecticut. In 1970 our daughter Loren was born, opening up a new and wonderful chapter. By the mid-70's, Bruce and I both wanted to test our professional wings. I learned about the Intergovernmental Personnel Act, which allows state, federal, and municipal agencies to borrow staff from each other. I approached the National Endowment for the Humanities to see if they'd be interested, and they were. We moved to Washington in 1978, fell in love with the city and the scope of our work, and have lived here since.
 he thread that ties my career together is that, at heart, I am an educator. I taught students directly at UConn. At NEH I was in the Media Program, where we provided support for television and radio programs that also were aimed at teaching, but could reach a national audience.
I moved on to become director of the Annenberg/CPB Project, which developed educational resources aimed at opening the doors to a college level education through the use of television, radio, and ultimately online. Then in 1994 I became director of The Smithsonian Associates, which is the center for life-long learning at the Smithsonian. Each year we created more than 1800 different educational programs — courses, seminars, lectures in nearly every discipline. People participated in real time in traditional classroom settings, though increasingly programs were made available on line. I recently stepped down as director, and am now putting my energies into encouraging new educational opportunities for learners of all ages.
|
|
|
